IMIXWHATILIKE!

IMIXWHATILIKE!

 

ABOUT & CONTACT JARED BALL | LATEST POSTS & RADIO | RELATED VIDEO

                                                                 

COMING MAY 2012 ON BLACK CLASSIC PRESS!

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Table of Contents: A Lie of Reinvention: Correcting Manning Marable’s Malcolm X

1.  An Introduction to a Lie – Jared A. Ball  
2. Malcolm X—What Measure of a Man?: Assessing Personal Growth and Social Transformation From an African-Centered Social Work Perspective  –  Patricia Reid-Merritt
  3.  Manning’s Malcolm—& Ours (2.0) – Mumia Abu-Jamal
  4.  A Work of Negation: A Critical Review of Manning Marable’s Malcolm X: A Life of Reinvention  – Kali Akuno
  5.  An Ivory Tower Assassination of Malcolm X – Kamau Franklin
  6. Remembering Malcolm: A Personal Critique of Manning Marable’s Non-Definitive Biography of Malcolm X – William Strickland
   7. “Speculative Nonfiction”: Manning Marable’s Malcolm X – Raymond A. Winbush 
8. An Incomprehensible Omission: Women and El-Hajj Malik El-Shabazz’s Ideological Development in Malcolm X: A Life of Reinvention—A Brief Criticism – Rosemari Mealy    
9. Counter-Revolution … in the Flesh: The Sexual Politics of Manning Marable in Viking Press’s Malcolm X – Greg Thomas  
10. Dealing With a Few Reinventions in Manning Marable’s Book  –  A. Peter Bailey    
11. A Life of Revolutionary Transformation: A Critique of Manning Marable’s Malcolm X: A Life of Reinvention  – Sundiata Keita Cha-Jua
  12. It’s Not That Complicated—Malcolm X Was a Revolutionary:  
Confused Terminology, Concepts Mar Marable Biography – Eugene Puryear    
13. Paper Tiger – Karl Evanzz
  14. Manning Marable’s Malcolm X Book – Amiri Baraka
  15. Blues for Manning Marable – Margo Arnold
  16. Manning Marable and the Triumph of American Liberalism in Malcolm X: A Life of Reinvention – Christopher M. Tinson
  17. Coda: Objectivity vs. Memory – Todd Steven Burroughs

 



 

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I Mix What I Like! A Mixtape Manifesto is the first book from Jared Ball and is the theory and philosophy behind the concept of “mixtape radio;” the rap music/hip-hop mixtape as “national,” “dissident” or “emancipatory journalism.”

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